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The Cooper Hewitt, Smithsonian Design Museum sits on New York’s Upper East Side in a renovated Andrew Carnegie mansion. When Carnegie purchased the land in 1898, it was more than a mile north of what was then considered fashionable society and many levels removed from the deafening steel mills that accelerated his fortune. It seems he wanted space for a garden. On a sunny Sunday morning in October of this year, the Cooper Hewitt galleries are quiet with only a few visitors at such an early hour. I break the silence by tapping a few keys on a dot piano in the Designing with Sound exhibit. The notes present a stark reminder of how sound surrounds us, how sound influences us, and how sound is often most noticeable in its extremes – the overwhelming excess in its presence or…